https://repainterdiary.com/2016/07/21/paul-klees-angelus-novus-flies-to-paris-repainter-reminisces/https://repainterdiary.com/wp-content/uploads/2016/07/dsc02591.jpgDSC02591https://repainterdiary.com/wp-content/uploads/2016/07/walterbenjaminislookingwebsite.jpgWalter Benjamin is looking, 200060” x 60” (153cm x 153cm) four panels, oil on wood, sandblasted glass, bolts TEXT IN GLASS: Walter Benjamin is looking at Angelus Novus, a Paul Klee painting he owns. In the dark spring of 1940, shortly before his death, Benjamin writes about its subject: “This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.” After Paul Klee, Angelus Novus, 1920, Israel Museum, Jerusalemhttps://repainterdiary.com/wp-content/uploads/2016/07/dsc02590.jpgDSC02590https://repainterdiary.com/wp-content/uploads/2016/07/dsc02589.jpgDSC02589Paul Klee, Angelus Novus, 1920, Israel Museum, Jerusalem, on view at the Centre Pompidou, Paris2016-07-21T12:29:43+00:00monthlyhttps://repainterdiary.com/2016/03/09/erica-fischer-on-nachbarnneighbors-in-germany/https://repainterdiary.com/wp-content/uploads/2016/03/518599e78ef6a5a0a40fa136d3e975e6fee7cf8a-1.jpg518599e78ef6a5a0a40fa136d3e975e6fee7cf8a-1https://repainterdiary.com/wp-content/uploads/2016/03/munich_3437801b.jpgmunich_3437801bRefugees queue to board a train from Budapest Keleti railway station to Munich, Germany Photo: Rex (Telegraph, UK)https://repainterdiary.com/wp-content/uploads/2016/03/getfile2.jpggetfile2https://repainterdiary.com/wp-content/uploads/2016/03/img_3623-10-2013-chmielnik-synagogaz18w.jpgIMG_3623-10.2013.Chmielnik.Synagoga+z+18+whttps://repainterdiary.com/wp-content/uploads/2016/03/uswx3308288.jpgusWx3308288The old market square in Chmielnik, Polandhttps://repainterdiary.com/wp-content/uploads/2016/03/chmielnik_swietokrzyski_sztetl11.jpgchmielnik_swietokrzyski_sztetl11https://repainterdiary.com/wp-content/uploads/2016/03/gpm-171-sfw.jpggpm-171-sfwGracie Pwerle Morton, Bush Plum Dreaminghttps://repainterdiary.com/wp-content/uploads/2016/03/erica.jpgerica2016-03-13T19:25:31+00:00monthlyhttps://repainterdiary.com/2016/01/28/nachbarnneighbors-in-a-german-town/https://repainterdiary.com/wp-content/uploads/2016/01/nachbarnguardianforwebsite.jpgNachbarnGuardianforWebsitehttps://repainterdiary.com/wp-content/uploads/2016/01/nachbarngallery2-iv3.jpgNachbarnGallery2-IV3https://repainterdiary.com/wp-content/uploads/2016/01/nachbarngallery5-iv21.jpgNachbarnGallery5-IV2https://repainterdiary.com/wp-content/uploads/2016/01/nachbarngallery5-iv2.jpgNachbarnGallery5-IV2https://repainterdiary.com/wp-content/uploads/2016/01/synagoge_01.jpgSynagoge_01https://repainterdiary.com/wp-content/uploads/2016/01/1_ithoughwewerefriendslo-res.jpg1_IThoughWeWereFriendslo-reshttps://repainterdiary.com/wp-content/uploads/2016/01/artforum-drawing-sm.jpgartforum drawing smhttps://repainterdiary.com/wp-content/uploads/2016/01/hofmann_video_stillslo-res.jpgHofmann_Video_Stillslo-reshttps://repainterdiary.com/wp-content/uploads/2016/01/3_ilookedeverywhere.jpg3_ILookedEverywherehttps://repainterdiary.com/wp-content/uploads/2016/01/3_ilookedeverywherelo-res.jpg3_ILookedEverywherelo-res2016-03-07T16:21:46+00:00monthlyhttps://repainterdiary.com/2016/02/20/broken-glass-les-verres-brises/https://repainterdiary.com/wp-content/uploads/2016/02/oustry_aptekar_lc3bcbeck.jpgOustry_Aptekar_Lübeckhttps://repainterdiary.com/wp-content/uploads/2016/02/jeanoustryautravail.jpgOustry 3Jean Oustry, 58 ans, est la troisième génération de sableurs depuis 1952. Probablement la dernière : ses enfants ne reprendront pas le flambeau.https://repainterdiary.com/wp-content/uploads/2016/02/atelierjeanoustry.jpgOustry 1Dernier atelier de sablage de Paris, la maison Oustry est installée villa Riberolle (20ème arrondissement), une impasse proche de la rue de Bagnolet.https://repainterdiary.com/wp-content/uploads/2016/02/2_imjewishbutlo-res.jpg2_ImJewishButlo-reshttps://repainterdiary.com/wp-content/uploads/2016/02/lc3bcbecksunrise.jpgLübeckSunrise2016-03-01T22:53:42+00:00monthlyhttps://repainterdiary.com/2015/06/27/mme-de-pompadour-more-than-a-patron/https://repainterdiary.com/wp-content/uploads/2015/06/reflections-detail.jpegReflections-detailhttps://repainterdiary.com/wp-content/uploads/2015/06/reflectionsfull.jpgreflectionsfullhttps://repainterdiary.com/wp-content/uploads/2015/06/shewasdecorating.jpgShe was decorating, 2003Ken Aptekar, She was decorating, 2003, 60" x 60" (153cm x 153cm), four panels, oil/wood, sandblasted glass, bolts After (l) Francois Boucher, The Bath of Venus, 1751, National Gallery of Art, Washington, (r) Francois Boucher, The Toilette of Venus, 1751, Metropolitan Museum of Art, NY "She was decorating" is based on two images Mme de Pompadour commissioned from Francois Boucher for her bathroom at the Chateau de Bellevue (now destroyed), one of the many homes she built or decorated for herself and to encourage Louis to visit. Distortion of the two images suggests the way the two works might have appeared when seen in the corner of the bathroom from a single vantage point.https://repainterdiary.com/wp-content/uploads/2015/06/someforme.jpgSome for me, some for you, 2003Ken Aptekar, Some for me, some for you, 60" x 90" six panels, oil/wood, sandblasted glass, bolts After (clockwise, from upper left) Francois Boucher, "La Chasse ˆ l'oiseau et L'Horticulture" (Bird Hunting and Horticulture), Ornamental Panel Painting, c. 1751-1755 Jean-Marc Nattier, Madame Henriette en Flore" (Madame Henriette in Flowers), 1742 Edouard Manet, Still Life, c. 1882 Jean-Marc Nattier, Portrait of Manon Balletti, 1757https://repainterdiary.com/wp-content/uploads/2015/06/4850992261_ff4293419e1.jpg4850992261_ff4293419ehttps://repainterdiary.com/wp-content/uploads/2015/06/reflection1.jpgReflection, 200330" x 360" Twelve panels, oil/wood, sandblasted glass, bolts TEXT IN GLASS: my dependence, the wrong past, what I couldnÕt do, fear of a life cut short, my money worries, the calculating careerist I wish I could be, my desires, my passivity, dearest sister, neither Russian nor a Grandmother, nor a Yiddishe mama, my beloved After (l to r) Jean-Marc Nattier, Madame de Pompadour as Diana, 1748 Francois Boucher, Madame de Pompadour, 1759 Francois Boucher, Portrait of Madame de Pompadour Standing, c. 1750 Francois Boucher, Madame de Pompadour at her toilette, 1758 Francois Boucher, Madame de Pompadour, c.1750 Francois Boucher, Madame de Pompadour, c.1750 Francois Boucher, Apollo and Issa, 1750 Francois Boucher, Madame de Pompadour, 1756 Francois Boucher, The Toilette of Venus, 1751 Francois-Hubert Drouais, Madame de Pompadour with a Fur Muff, 1763 Francois Boucher, Madame de Pompadour seated outside, 1758 Jean-Marc Nattier, Madame de Pompadour as Diana, 1748https://repainterdiary.com/wp-content/uploads/2015/06/privateapartmentspompadour7.jpgPrivateApartmentsPompadour7Ken Aptekar, A bisl far mir, a bisl far dir, 2003, 60" x 30" (153cm x 76.5cm), diptych, oil/wood, sandblasted glass, bolts Text IN GLASS: A bisl far mir, a bisl far dir [tr.: Some for me, some for you] After Francois Boucher, "Les Genies des Arts" [tr.: Geniuses of the Arts], 1761 "A bisl far mir, a bisl far dir" refers to Mme de Pompadour commissioning art to please herself as well as the King as well as herself, and also to my using previous art--for you and for me. One can see in the image that the putti is making a painting of a sculpture, and Boucher has painted a painting-in-progress in his painting as well. The painting in progress behind the putti's is of Madame de Pompadour holding a profile portrait of Louis XV. The Yiddish provides a means of declaring the relevance of 18th French art for those of us for whom it was never intended (Jews in Poland, for one example--Pompadour's "competition" for the King's attention was a Polish girl, Queen Marie Leszinska).https://repainterdiary.com/wp-content/uploads/2015/06/reedpompview.jpgReedPompViewhttps://repainterdiary.com/wp-content/uploads/2015/06/en-voila-pour-moi.jpgEn voila pour moiKen Aptekar, 2003, En voila pour moi, en voici pour vous ("Some for me, some for you"), 60" x 60" (153cm x 153cm), oil/wood, sandblasted glass, bolts After details of three portraits of Mme de Pompadour by Francois Boucher and Carl van Loo, and a portrait of Manon Balletti by Jean-Marc Nattier (upper-right)https://repainterdiary.com/wp-content/uploads/2015/06/scenario.jpgScenarioKen Aptekar, Scenario, 2003, 60" x 90" six panels, oil/wood, sandblasted glass, bolts SCENARIO is comprised of images of the walls of Mme de Pompadour's private apartment in the Chateau de Versailles, to which Louis XV had a secret staircase built leading from his private apartment below. The painted image on the wall (not the mirror) is a detail of a Boucher mythological painting, APOLLO AND ISSA, in which he used Mme de Pompadour's face for the character of Issa. Jen refers to Jeanne-Antoinette Poisson, Mme de Pompadour's birth name; Lou is short for Louis. "Scenario" is "screenplay" in French. 2015-06-27T17:41:28+00:00monthlyhttps://repainterdiary.com/2010/03/27/rothkowitz-red-and-ken/https://repainterdiary.com/wp-content/uploads/2010/03/aptekar.jpgAptekarPortrait of Ken Aptekar, 1952, Edward Skinnerhttps://repainterdiary.com/wp-content/uploads/2010/03/kenaptekar.jpgKenAptekarPortrait of Ken Aptekar, 1952, Edward Skinnerhttps://repainterdiary.com/wp-content/uploads/2010/03/redstudio1979.jpgRedStudio1979Ken Aptekar, Red Studio, 1979 Collection David Savranhttps://repainterdiary.com/wp-content/uploads/2010/03/matisse-red-studio-1911.jpgMatisse, Red Studio 1911Henri Matisse, Red Studio, 1911, Museum of Modern Art, NYhttps://repainterdiary.com/wp-content/uploads/2010/03/alfred-molina-and-eddie-r-001.jpgAlfred-Molina-and-Eddie-R-001Alfred Molina and Eddie Redmayne in John Logan's new play, Red, now on Broadwayhttps://repainterdiary.com/wp-content/uploads/2010/03/r296113_1274485.jpgr296113_1274485Mark Rothko, Seagram commission paintings on view at Tate Modern, London2015-02-26T20:57:32+00:00monthlyhttps://repainterdiary.com/2015/02/23/a-repainter-isnt-necessarily-a-painter/https://repainterdiary.com/wp-content/uploads/2015/02/roots-bramble-detail.jpgRoots bramble detailLinn Underhill, Roots, 2015, bramble DETAIL with https://repainterdiary.com/wp-content/uploads/2015/02/roots-detail.jpgRoots detailLinn Underhill, Roots, 2015, DETAIL (archival inkjet print)https://repainterdiary.com/wp-content/uploads/2015/02/pollock_one.jpgNumber 31, Jackson PollockJackson Pollock, Number 31https://repainterdiary.com/wp-content/uploads/2015/02/roots.jpgRootsLinn Underhill, Roots, 2015 (Archival Inkjet Print)https://repainterdiary.com/wp-content/uploads/2015/02/dsc01472.jpgDSC01472https://repainterdiary.com/wp-content/uploads/2015/02/dsc01479.jpgDSC01479View out the back door of Linn Underhill's studio, Lisle, NYhttps://repainterdiary.com/wp-content/uploads/2015/02/dsc01473.jpgLinn Underhill Studio viewInterior View, Linn Underhill Studio, Lisle, NY, 2/22/20152015-04-09T21:24:34+00:00monthlyhttps://repainterdiary.com/2014/12/23/mr-leighs-mr-turner/2015-04-09T15:21:09+00:00monthlyhttps://repainterdiary.com/2010/06/17/portrait-painter-verot/https://repainterdiary.com/wp-content/uploads/2010/06/m151.jpgM15Anthony Verot, Installation view at Centre régional d’art contemporain de Montbéliard, France, 2010https://repainterdiary.com/wp-content/uploads/2010/06/anthony-verot-peintures2.jpgAnthony-Verot-PeinturesAnthony Verot, Monsieur Piquiaud, 2004https://repainterdiary.com/wp-content/uploads/2010/06/anthony-verot-peintures1.jpgAnthony-Verot-PeinturesAnthony Verot, Monsieur Piquiaud, 2004https://repainterdiary.com/wp-content/uploads/2010/06/monsieurbertiningres1.jpgMonsieurBertinIngresJean-Auguste-Dominique Ingres, Monsieur Bertin, 1832https://repainterdiary.com/wp-content/uploads/2010/06/olympia-manet1.jpgolympia-manetEdouard Manet, Olympia, 1863https://repainterdiary.com/wp-content/uploads/2010/06/verot-unesecondedecinema1.jpgVerot-UneSecondedeCinemaAnthony Verot, Une Seconde de Cinema (Nathalie), 2005https://repainterdiary.com/wp-content/uploads/2010/06/anthony-verot-peintures.jpgAnthony-Verot-PeinturesAnthony Verot, Monsieur Piquiaud, 2004https://repainterdiary.com/wp-content/uploads/2010/06/m15.jpgM15Anthony Verot, installation view of exhibition at Centre régional d’art contemporain de Montbéliard, France, 2010https://repainterdiary.com/wp-content/uploads/2010/06/monsieurbertiningres.jpgMonsieurBertinIngresJean-Auguste-Dominique Ingres, Monsieur Bertin, 1832https://repainterdiary.com/wp-content/uploads/2010/06/olympia-manet.jpgolympia-manetEdouard Manet, Olympia, 18792014-12-24T14:58:04+00:00monthlyhttps://repainterdiary.com/2014/12/11/national-gallery-uk-visit-in-paris/https://repainterdiary.com/wp-content/uploads/2014/12/viewer-natgal.jpgviewer-NatGalhttps://repainterdiary.com/wp-content/uploads/2014/12/dancer-natgal.jpgDancer-NatGalhttps://repainterdiary.com/wp-content/uploads/2014/12/filminterview-natgal1.jpegFilmInterview-NatGalhttps://repainterdiary.com/wp-content/uploads/2014/12/filminterview-natgal.jpegFilmInterview-NatGalInterview being filmed in the National Gallery, seen in Wiseman's documentary, National Galleryhttps://repainterdiary.com/wp-content/uploads/2014/12/kalf-lobster-natgal.jpgKalf-Lobster-NatGalStill Life with the Drinking-Horn of the St Sebastian Archers' Guild, Lobster and Glasses by Willem Kalf (c. 1653), Collection National Gallery, Londonhttps://repainterdiary.com/wp-content/uploads/2014/12/leonardo-natgal.jpgLeonardo-NatGalLeonardo da Vinci's Belle Ferronierre at the National Gallery2015-04-09T15:26:09+00:00monthlyhttps://repainterdiary.com/about/https://repainterdiary.com/wp-content/uploads/2010/01/dsc00612.jpgDSC00612https://repainterdiary.com/wp-content/uploads/2010/01/kenfacebook1.jpgKenFacebook2014-04-08T16:41:06+00:00weekly0.6https://repainterdiary.com/2010/06/17/repainter-sturtevant/https://repainterdiary.com/wp-content/uploads/2010/06/2_men_talking_in_a_paris_cafe.jpg2_men_talking_in_a_paris_cafeRichard Kalvar, Magnum Photos, Man talking to sleeping friend, Paris, 1974https://repainterdiary.com/wp-content/uploads/2010/06/warhol_poppies_sturtevant1.jpgWarhol_Poppies_SturtevantSturtevant, Warhol Flowers, 1969-70https://repainterdiary.com/wp-content/uploads/2010/06/warhol_poppies_sturtevant.jpgWarhol_Poppies_Sturtevant2013-07-18T15:46:20+00:00monthlyhttps://repainterdiary.com/2010/06/17/recent-portraits-revealed/https://repainterdiary.com/wp-content/uploads/2010/06/take_my_hand_pomplo-res.jpgtake_my_hand_PompLo-ResKen Aptekar, Take My Hand (Portrait of Mme de Pompadour), 2009, 35" x 35"https://repainterdiary.com/wp-content/uploads/2010/06/portrait_of_the_artist.jpgPortrait_of_the_artistKen Aptekar, Portrait of the Artist, 2010, 60" x 60"https://repainterdiary.com/wp-content/uploads/2010/06/portrait_of_nino_a-b.jpgPortrait_of_Nino_A-BKen Aptekar, Portrait of Nino Alcock-Boselli, 2010, 30" x60"https://repainterdiary.com/wp-content/uploads/2010/06/portrait_of_susan_whitehead.jpgPortrait_of_Susan_WhiteheadKen Aptekar, Portrait of Susan Whitehead, 2010, 60" x 60"https://repainterdiary.com/wp-content/uploads/2010/06/portrait_of_saied_azali.jpgPortrait_of_Saied_AzaliKen Aptekar, Portrait of Saied Azali, 2010, 60" x 30"https://repainterdiary.com/wp-content/uploads/2010/06/portrait_of_julieandpetercummings.jpgPortrait_of_JulieAndPeterCummingsKen Aptekar, Portrait of Julie and Peter Cummings, 2010, 30" x 60"https://repainterdiary.com/wp-content/uploads/2010/06/portrait_of_julia_peyton_jones.jpgPortrait_of_Julia_Peyton_JonesKen Aptekar, Portrait of Julia Peyton-Jones, 2010, 35" x 35"https://repainterdiary.com/wp-content/uploads/2010/06/portrait-_of_artists_father.jpgPortrait _of_artist's_fatherKen Aptekar, Portrait of the Artist's Father (Milton Aptekar), 2010https://repainterdiary.com/wp-content/uploads/2010/06/portrait_of_ira_glass.jpgPortrait_of_Ira_GlassKen Aptekar, Portrait of Ira Glass, 2010https://repainterdiary.com/wp-content/uploads/2010/06/portrait_of_arlette-lhopitault.jpgPortrait_of_Arlette-LhopitaultKen Aptekar, Portrait of Arlette L'Hopitault, 20102011-08-18T03:14:14+00:00monthlyhttps://repainterdiary.com/2010/04/04/artistsfathers/https://repainterdiary.com/wp-content/uploads/2010/04/roughhousingwith_the_inner_child1.jpgRoughhousing(with_the_Inner_Child)DENNIS KARDON, Roughhousing (with the Inner Child), 1997, oil on canvas, 45" x 54"https://repainterdiary.com/wp-content/uploads/2010/04/roughhousingwith_the_inner_child.jpgRoughhousing(with_the_Inner_Child)DENNIS KARDON, Rough-housing (with the Inner Child), 1987, oil on canvas, 45" x 54"https://repainterdiary.com/wp-content/uploads/2010/04/miltkentrip2.jpgMiltKenTrip2Milt Ken Paris, 1987, oil on wood, 30" x 90" triptychhttps://repainterdiary.com/wp-content/uploads/2010/04/father-and-son1.jpgFather and SonROBIN TEWES, Father and Son, 2001, oil on birch, 20" x 20" https://repainterdiary.com/wp-content/uploads/2010/04/stevie2.jpgstevie2https://repainterdiary.com/wp-content/uploads/2010/04/deaddad.jpgUS-SCULPTURE-MUECK EXHIBIThttps://repainterdiary.com/wp-content/uploads/2010/04/20091202023153_paularegofamily.jpg20091202023153_paularegofamilyPAULA REGO, The Family, 1988, acrylic on canvas-backed paper, 213 cm x 213 cmhttps://repainterdiary.com/wp-content/uploads/2010/04/humphreydad.jpgHumphreyDADDAVID HUMPHREY, Dad, 1987, oil on canvas, 70" x 80"https://repainterdiary.com/wp-content/uploads/2010/04/father-and-son.jpgFather and SonROBIN TEWES, Father and Son, 2001, oil on birch, 20" x 20"https://repainterdiary.com/wp-content/uploads/2010/04/fenbycarr1959001.jpgFenbyCarr1959001Fenby Carr Quintet, "The Singing Schoolteachers"2010-08-08T16:36:38+00:00monthlyhttps://repainterdiary.com/2010/03/19/i-want-to-be-at-the-dinner/https://repainterdiary.com/wp-content/uploads/2010/03/aptekarextensions8.jpgAptekarExtensions8Ken Aptekar, Extensions, 1979, ink on paper, painted machine photo (detail)https://repainterdiary.com/wp-content/uploads/2010/03/shermantop.jpgshermantopCindy Sherman, Untitled, 2008https://repainterdiary.com/wp-content/uploads/2010/03/im-not-tired.jpgI'm not tiredKen Aptekar, I'm not tired, 1978, gouache on machine photo, pencil on paperhttps://repainterdiary.com/wp-content/uploads/2010/03/fran_oisboucher-youngwomanwithabouquetofroses.jpgFran_ois+Boucher+-+Young+Woman+with+a+Bouquet+of+RosesFrancois Boucher, Young Woman with a bouquet of roseshttps://repainterdiary.com/wp-content/uploads/2010/03/francoisboucher.jpgFrancoisBoucherFrancois Boucher, 1703-1770https://repainterdiary.com/wp-content/uploads/2010/03/charlesdemuth.jpgCharlesDemuthCharles Demuthhttps://repainterdiary.com/wp-content/uploads/2010/03/aptekar_fig14lo-res.jpgAPTEKAR_FIG14lo-resKen Aptekar, I saw the figure fourteen in gold, 2005, 60" x 60"https://repainterdiary.com/wp-content/uploads/2010/03/hb_49-59-1.jpghb_49.59.1Charles Demuth, I saw the figure five in gold, 1928, Metropolitan Museum of Art, NYhttps://repainterdiary.com/wp-content/uploads/2010/03/2005_guess_who_012.jpgGUESS WHOStill from Kevin Rodney Sullivan's 2005 film, Guess Who2010-04-04T22:09:57+00:00monthlyhttps://repainterdiary.com/2010/03/05/opening-on-thursday-march-11-6-8pm/https://repainterdiary.com/wp-content/uploads/2010/03/9500316c2.jpg9500316cGo Jack, go!https://repainterdiary.com/wp-content/uploads/2010/03/9500316c1.jpg9500316cGo Jack, go!https://repainterdiary.com/wp-content/uploads/2010/03/9500316c.jpg9500316cGo Jack, go!2010-03-20T06:06:24+00:00monthlyhttps://repainterdiary.com/2010/02/16/glass-case/https://repainterdiary.com/wp-content/uploads/2010/02/e_train_to_j-h.jpgE_Train_to_J-HNext stop, Roosevelt Avenue, Jackson Heightshttps://repainterdiary.com/wp-content/uploads/2010/02/casablanca2.jpgcasablanca2Crazy in lovehttps://repainterdiary.com/wp-content/uploads/2010/02/el_quijote.jpgEL_QUIJOTEEl Quijote Bar and Restaurant, Chelsea Hotel, NYC2010-03-05T16:31:51+00:00monthlyhttps://repainterdiary.com/2010/02/16/moment-of-color/https://repainterdiary.com/wp-content/uploads/2010/02/1970-56high-res.jpg1970.56(high res)Sir Allan Ramsay, Coronation Portrait of Queen Charlotte, 1761, Mint Museumhttps://repainterdiary.com/wp-content/uploads/2010/02/barackobamahs1.jpgBarackObamaHSBarack "Barry" Obama, second row center, seen with his junior varsity basketball team, 1977, Punahoe School Yearbook, 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